Independent reference siteNot affiliated with Kristin Pavelka or any associated studio; no current studio, sales, event, or contact information is provided.

Pottery Gallery 2

arrangement of three decorated ceramic plates on wood
grouping of generic decorated cups and vessels

This page carries the title “Pottery Gallery 2” and a single period label: “2005–2010.” Specific portfolio photographs and captions are not attributed here.

2005–2010

This date range anchors the page firmly in an earlier portfolio era. The page does not invent object titles, materials, dimensions, firing methods, ownership, exhibition history, or availability, and it does not reproduce historical artwork.

The label is a period heading for the gallery, not a claim that every object shown during that era shared one date, technique, material, or collection history. No more specific chronology appears on the page.

The two images are generic editorial studies. They echo the site's image-led, two-column presentation and its interest in decorated functional forms, but they are not by Kristin Pavelka. Their role is to provide the visual rhythm of a pottery gallery without creating false attribution.

How this page fit the old site

The earliest available navigation placed “Pottery” first and offered numbered gallery choices. A later navigation expanded the portfolio into “Current work 2020,” “Gallery 2018–2020,” and two labels for “Gallery 2005–2010.” This page survived through those changes, which suggests it acted as a legacy gallery rather than a current shop or catalog.

Internal links connect Pottery Gallery 1 with the later Gallery hub. Plates, Bowls, Utensils, and Other retain the older form-based page names.

The compact 2005–2010 heading remains the clearest distinction between Gallery 2 and the undated first gallery.

Looking without overclaiming

A reliable object record distinguishes what is visible from what is documented. Shape, color, repetition, rim, foot, and apparent surface can be described from an image; maker, date, technique, collection, and provenance require evidence. A public museum collection search demonstrates that separation. Here, the only documented facts are the historical URL, title, date label, and place in the navigation.

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